Since Eben07 is a comic––true, this is more accurately a webcomic, but the fact remains that whether on the internet or on the page a comic is a comic is a comic (apologies to Gertrude Stein, deceased)––I would like to share a
moment in my life: my first comic book. It seems too clean and unlikely a situation where my first comic ended up being 1991′s prestigious and ubiquitous X-Men #1, a landmark in the comic book industry written by Chris Claremont (who went on to write novelized sequels to the movie Willow, among other things) and drawn by Jim Lee, an early illustrative hero of mine. The book made statistical history when it became the biggest selling comic book of all-time with some qualifiers: It was released in the rising tide of the speculative comic book collector’s market in the early 1990s that would reach its height in the middle of the decade and collapse soon thereafter; what that meant was that in order to secure the money of comic book collectors (distinguished from comic book readers, I would argue) Marvel released multiple versions of X-Men #1 with the implied promise that they’ll pay off mortgages some day. Four different covers were produced as well as a special version that had a gate-fold cover which was all four covers strung together in a wonderfully open-mouthed, tight-muscled, big-breasted, middle-of-a-sprint panorama typical of Jim Lee’s style at the time (he’s become much more pensive). To make sure every collector was able to easily get a copy of each of the five covers (plus the super-special gate-fold edition!) more copies were printed than ever before. In all, approximately 7 million copies of this first issue were sold and is, apparently, still the best-selling comic book of all time. From what I can gather, though, it’s still worth no more than the $1.50 cover price.
More important than all of that, however, was that it was a moment in my life. I almost want say “capital-M Moment,” but I say that kind of stuff too often now and I fear becoming Daniel Stern’s narrator from The Wonder Years (i.e., saccharine). It was
that, however, because it introduced so many elements that would become integral to my later life. It introduced the idea of comic books (obviously), and, specifically, the idea of the sequential illustrated narrative, that images don’t have to be moving to convey ideas, emotions, and plot accurately. This first purchase also introduced me to the world of illustrative arts in a way that newspaper comics did not. The idea of dynamic form and provocative design (in every sense of the word) made an impression on my still impressionable young mind that influences (in part) everything I do today with Eben07. Third, the contents of the book gave me something to care and obsess about like people do television shows (my mother and her soap operas), music, movies, books, etc. To follow the same characters through their melodramatic and seemingly endless journey was a new idea that, in hindsight, was equally inspirational and corruptive.
It was the first time I had really gone out and done something on my own or with a friend. My close friend at the time, Patrick, was really into comic books. He was one of those friends that your parents (as mine did) warn you to steer clear of after awhile. He was the friend that taught me how to cuss, how to ditch class (though I never did until college *nerd*), how to cheat at video games, and how to be more independently minded in general––that friend. He helped me realize that I do have my own tastes in things that can be separate from my parents and family, things that I enjoy and they don’t or won’t, a life outside of the confines of the home. Lastly, it was one of the first things I bought on my own which helped solidify the previous idea. Not only was this comic mine but comics, vicariously through this flimsy book, became mine.
Because of all of the above, I hold the wholly trite X-Men #1 close to my heart. I guess it could be called a guilty pleasure. I don’t show it off, I don’t cite it as being the very thing that turned my life around or focused its future; like I said, it was just a moment, not an epiphany. But then I see this on the internet:
Like many of you may have instinctively done, I started to turn away in disgust, thinking I was seeing some sort of vile internet joke taken too far. Then I saw Jean Grey on the underside of the lid in her disgustingly functional green miniskirt, worn while she heroed under the moniker “Marvel Girl.“ In reading the article that hosted the above picture, I found out that this toilet has been plastered painstakingly with pages only from X-Men #1, the comic book that rocked the world. While it apparently was a labor of love, of appreciation of this landmark issue, I was taken aback by the gesture before I found my center again.
As the owner of the moment that shares with the above toilet this particular comic book issue, I realized that the wave of imposed
irony on the youthful years of my generation rushes over everything. Many are keen to whittle away the importance of very superficial and materialistic things into clever inside jokes that wink-wink-nudge-nudge their way across the internet and into Hot Topics everywhere. Burgoon & I may be doing the same thing within the pages of Eben07. Is irreverence the new flattery? Does my generation not give any thing due reverence? I shy away from using the word “respect” because I doubt an over-hyped comic book by a company sniping the tendencies of nerds with too much money and too little forethought hardly demands respect. When did everything become a joke and when did we lose the ability to express our nostalgic appreciation honestly with wide eyes and hushed tones? Maybe respectful nostalgia is a response that has become cliche and our appreciation can only be truly expressed in new and different ways. Seeing this X-Toilet made me realize that these capital-M Moments are mine alone and meaningless outside the singular maraca between my ears.
Even if my modestly respectable opinion about X-Men #1 is out there and may be a story and moment shared by many other people, I didn’t even realize it was a moment when I bought it. In fact, I didn’t even realize that silly comic book’s role in my history until I was microscopically and metaphorically moved when I saw the X-Toilet. That assumptive ignorance is probably why the original comic dissolved years ago from disuse, half-heartedly replaced by another copy (with a different cover) somewhere along the line, a line surely dotted by other forgotten and overlooked signposts that kept me on my path. It was just a book to me, a thing to look at so I wouldn’t have to waste a precious shake of the rattle to remember it.
-D.














Discussion (3) ¬
I was 31 years old when X-Men #1 was released in its myriad forms, if memory serves, I bought only the deluxe edition along with my usual 4 inch thick stack of that week’s comics. Jim Lee’s art was a wonder, Chris Claremont’s writing was excessive, but I had been following his work for several years in the “Uncanny” series and was used to his style. I enjoyed the book, but it held no great emotion for me, nor did the work of Rob Liefeld or any other “hot” artists of the day….
2 years later, I was so tired of the gimmicks, crossovers, and hype over substance that I started whittling away at my collection for extra cash. I work as a standup comic and was readying for a trip to the Bahamas, and needed money for travel and the first week’s expenses (it’s not a cheap place to be, and I was booked for a month). I took my X-Men #1, and other “collectible” comics into a local shop, the stack was maybe 3 inches thick, and it was the peak (literally) of the speculator’s market. That little stack of comics, some no more than 4 months old, netted me $800 and some trade.
I went to the Bahamas, had a great time, and returned to the crash of the collectible comics market. We had seen it coming; stamps, trading cards, even coins had taken a beating and we all knew that comics were overdue, but we didn’t think it would fall so hard so quickly. But there it was, all of the investment plans of comics collectors and store owners across the country ended up being burdens of storage, with no return in sight. Stores closed, publishers folded, comics went from sales of 100′s of thousands to a fraction thereof.
In 2008, the same thing happened, on a much larger scale, to the real estate market. It was this event that inspired my use of X-Men #1 as a symbol of greed writ large. With the 20th anniversary of its release approaching, and with a nod to the Dada movement, I found the idea of making a functional item nonfunctional by wrapping it in paper that was meant to make fortunes for its buyers irresistible.
Your piece about the meaning that this comic held for you reminded me that we all have memories that are dear to us, that are a product of our time and our age when these things occurred. As I’ve read before, the Golden Age of Comics is whatever comics we were reading when we were 12…..those are the ones that imprinted on us, those are the ones we hold dear. For me, it would be Avengers and Superman comics from the early 70′s, finding those in drugstores and hoping and praying that I would be able to find the next issue and keep up with the continuing storylines, always an iffy proposition in the pre-direct market days.
All to say, as an artist, I was trying to make a bigger statement about greed, marketing, and the danger of hype. The record holder of the time was the obvious, for me, choice to express that point. The fact that out of 7 million copies sold, your copy (and mine) was in the tiniest of minorities, the issues that were actually opened and read. And re-read…..That is what comics were and are meant for, and the abomination of 6 million of these things being published and ordered for no other reason than to make money later makes it perfect fodder for satirical art.
Thank you for writing your piece and showing me another side of the comic that I’ve become obsessed with, sometimes I forget that it is important for other reasons than its place in the record books……
Xenonouveau
Artist-at-Large
As the other creator of the Eben07 comic, I just want to thank you for taking time to discuss D. Bethel’s piece, and the thoughts behind crafting your piece here. It is a real treat to understand the toilet straight from the hands that made it.
It’s really interesting also because Dan and I just talked about this a little more our most recent recording for our podcast (will be released next Wednesday). In it we kinda riffed on how little is sacred these days, and the somebody a few years are senior would listen to the podcast and laugh because we have no idea what we are in for as we grow older.
After starting to understand your motives for this piece and coupled with Bethel’s piece, I have to admit I think a lot more of the toilet than I had initially. I also have to admit I figured that somebody in their more snarky youthful zeal made the piece and did it in the fit of cheeky irreverence with little consideration for the comic’s mark in a chapter of consumerism and greed of mainstream comics.
Anyway, I just have to say well done, sir. Hope it nets you at least another trip or two to the Bahamas